It was recently announced that standup comic Chris Rock would be administrator - producing a reboot of theSawfranchise for Lionsgate . The intelligence has been met mostly with confusion and skepticism , but Rock has shown with projects likeTop Fivethat he ’s a grand filmmaker and storyteller .

He ’s also promised“a really intense and twisted ” take on theSawmythology . So , moviegoers and horror buffs should keep an open creative thinker about this . It moderate out that Rock would n’t sign on to rebootSawif he did n’t have an awesome idea for it . Here are 5 Things We desire To See In Chris Rock’sSaw(And 5 We Do n’t ) .

Want to see: Social commentary

Get Outproved that not only could the horror literary genre be used as an interesting prism through which to explore beau monde ’s ills;it might actually be the future of horror cinema . Chris Rock ’s standup comedy has always roam a brutally honest brightness level on race relation with sharp and incisive perceptiveness .

It would be interesting to see hisSawreboot follow in the footstep ofJordan Peele ’s applaud social thriller . Perhaps Rock ’s young “ intense and twisted ” vision forSawinvolves an African - American protégé of Jigsaw putting a bunch of white racialist – or peradventure white the great unwashed who do n’t think they ’re racists , but are guilty of microaggressions – through the ill-famed “ game . ”

Don’t want to see: Easter eggs and callbacks

Franchise filmmaking these Day is known for its use of Easter egg and callbacks to wink to the audience that has followed the motion-picture show . But whilethis is fun in superhero moviesandStar Wars , it does n’t translate well to horror .

The unspoiled horror movies have an overwhelming sense of apprehensiveness that interpenetrate throughout the whole runtime , and if Chris Rock ’s newSawmovie has a bunch of references to earlierSawmovies or any meta moments , it will remind us that we ’re watching a picture and take us out of that sense of dread . So , the new reboot should n’t have any Easter egg .

Want to see: Dark comedy

Chris Rock is one of the most uproarious voices in comedy , just like Jordan Peele and John Krasinski and Danny McBride and a lot of other comedy stars who have take the horror genre by violent storm recently , so it would be a disservice for the studio to inquire him to put his sense of humor on the backseat for theSawreboot .

Sawis one of the gory , grisliest , most violent horror dealership of all sentence , so it ’ll be hard to squeeze some temper in there . But if anyone can find the odd inSaw , then surely it ’s Chris Rock .

Don’t want to see: A rehash of the original movie

The bad matter that this motion-picture show can do is repeat the mistake ofThe Force Awakens . alternatively of just chat up up all the classicSawmoments   in a lightly veiled , loosely constructed rehash of the original movielike J.J. Abrams did with Disney ’s firstStar Warsmovie , Rock ’s reboot needs to give us a brand fresh plot .

Of course , he wo n’t desire to go too far the other style and end up withThe Last Jedi , a movie that is so far removed from all theStar Warsmovies that came before it thatfans pooh-pooh it . It ’s all about finding that balance .

Want to see: Something new

As soon as theSawreboot was announced , some of the enfranchisement ’s more skeptical sports fan feared that Chris Rock would n’t bring anything new to the franchise , sincethere simply is nothing new to impart to the enfranchisement . We ’ve   been treated to eightSawmovies .

Every singleSawmovie has revolved around a sadistic felonious Einstein pulling together a group of people and torturing them with a not - very - fun game . However , Rock seems to have a very interesting idea for the reboot – he just has n’t told us what it is yet . Hopefully , he ’ll be capable to bring something novel to the enfranchisement ’s well - worn plot formula .

Don’t want to see: Gratuitous violence

Later on in the outpouring of the initialSawfranchise , the flick were characterized by violence , ferocity , and more violence . All the filmmakers did was putthe filthy , goriest scenes they could possibly imaginein front of the photographic camera , and then point and shoot . genuine repulsion takes much more craft than that . So - address “ torture porn ” is n’t in effect enough .

The originalSawmovie was so particular becauseit avoided uncalled-for violence . This made room for an actual plot , which had shades of David Fincher ’s then - late ‘ 90 classicSe7en , and it also meant that when the violence did happen , it had more impact . This might be bad now that theSawfan al-Qaida is totally desensitized to roue and gore , but if the filmmaking is virtuoso enough , it should be all right .

Want to see: Strong pacing

What makes Jordan Peele and other comedian such great horror filmmakers is that both comedy and horror are all about pace . Halloweenco - author Danny McBride explain , “ Whether it ’s to make [ the consultation ] laugh or make them scream and s**t their pants , it ’s all in the engineering of the pace . ”

Chris Rock is only writing the story outline for the newSawmovie , while Josh Stolberg and Pete Goldfinger – the screenwriting duo behindJigsaw – will take that abstract and turn it into a fully - fledged screenplay . So , Rock ’s unique interpreter wo n’t be finger in every single scene , but hopefullyhis inviolable grasp of pacingwill translate into the plot .

Don’t want to see: On-the-nose political satire

Since one pitch-dark comic whose comedy examined racialism made a horror motion-picture show , Chris Rock ’s speculation into the horror musical genre is being compared to that of Jordan Peele . But that does n’t mean Rock should cram in on - the - nose political satire , Like Jigsaw saying he ’s " making the world great again " or something as obvious .

Peele explained , “ One of the beauty of the horror genre is it has a raft of connection to drollery … This is true for both horror and comedy : if they act upon , it ’s because there ’s some variety of societal truth . ”The First Purgeis a more overtly political moving picture than Peele ’s sophomore effortUs , but becauseThe First Purgewas too on - the - nose , Ussucceeds much better as a political oeuvre .

Want to see: Characters we care about

One thing theSawreboot – and every horror picture , for that matter – indigence is characters that we in reality care about , because if we care about them , then we ’ll in reality care whether or not they get toss off .

John Krasinski has explain that this is whyA Quiet Placeworks : “ A friend of mine said , ‘ Inever pegged you to direct a repulsion movie . ’ And I say , ‘ Me neither , ’ because I could n’t even observe horror picture show . And he enunciate , ‘ Oh , that ’s why [ A Quiet Place ] is so good . Because , if you were film to makeone of the best repugnance movies , you would have omit completely . And I conceive the fact you went into it writing a family drama , that you make love people would bond with this family , the scares are ten time scarier , because I do n’t want anything to fall out to this family . ’ ”

Don’t want to see: Familiar characters

TheSawfranchise has a bunch of weird , long - running , melodramatic narratives involving its vast cast of characters that we see play out , little by slight , in each film . It’slike a soap opera with gore . avowedly , some of those factor were kind of playfulness over the course ofthe eight pic we ’ve seen so far . But their stories have been done to death and they ’re hale the dealership down .

It ’s time to lease those characters go . Apart from maybe an prentice of Jigsaw being the villain , we need an altogether fresh batch of part to fall in passion with in this rebooted rendering of the series .

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