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The battle between Luffy and Kizaru inOne Piece’sEgghead arc has take fire a boisterous argumentation online . While many fan are praising the jaw - dropping visuals and explosive choreography , others are quetch that the brio is " too much . " The term “ overanimated ” has been tossed around , with critic indicate that the stylization is distracting or excessive . But one central voice behind the scene is not suffer it , and he is not afraid to push back .
Animator Vincent Chansard , who worked on the much - talk - about episode , has respond directly to the critique via the accountu / SunGodLuffy6on Reddit . His take is that the whole idea of “ overanimation ” does not even make good sense in the context of the fight . When one character literally becomes the sun and the other is the embodiment of light itself , how could anything but wild , world - bending animation be appropriate?His defense lift important questions not just aboutOne Piece , but about how Zanzibar copal lover perceive spectacle , effort , and originative expression .
What “Overanimated” Really Means, and Why It Does Not Apply to One Piece
The Luffy vs. Kizaru Fight Deserves the Madness
The accusation of “ overanimation ” often gets thrown around when a scene is packed with dynamic camera piece of work , fluent motion , and extreme visual genius . But Chansard ’s response reframes the literary criticism about what else should viewer expect from a fight between two almost godlike beings?Luffy ’s Gear 5 form literally reshapes the public around him like a cartoon character , while Kizaru go at the speed of light . To underplay that with restrained life would be a disservice to both characters and the storey .
One Piece ’s most lovely character , Tony Tony Chopper , is about to get his very own twisting - off anime series that follows his everyday life-time .
More significantly , Chansard ’s comment shows a key artistic philosophy about how aliveness should elevate the moment . For the animators , these are not just fight scene , they are storytelling devices meant to convey emotion , scale , and stake . call such efforts “ overdone ” suggests that spectacle can not be meaningful , a thought many creators push back against . In high - stakes battle , pushing visual boundary is not supernumerary , it is purpose .
The New Era of One Piece Demands a New Visual Style
This Is Not the Old One Piece, and That Is the Point
The Zanzibar copal adaptation ofOne Piecehas enrol a raw form , peculiarly with the shift in direction under Megumi Ishitani and the influx of talented freelance animators . This phylogenesis is not just ornamental , because it muse a broader dream to give the series the cinematic vim it merit . Scenes like Luffy vs. Kizaru are not just animated ; they are composed like short moving picture , full of nuance and layered look .
Chansard ’s work reflects this shift , unify Western cartoon sensibilities with traditional sakuga intensiveness . This fusion might calculate “ extra ” to some , butit is part ofOne Piece’svisual identity in this new epoch . The series has always been grand and ludicrous , and the vitality now mirrors that more accurately than ever . So when someone saysOne Pieceis “ overanimated , ” Chansard and many fans would argue it is finally just animated enough .
Custom Image by Merlyn De Souza
