Mamma Mia! Here We Go Again
Mamma Mia ! Here We Go Againbrings back the shape , the ABBA and the sensational Greek locale of the archetype - but does it go one well and include a post - credits view ? Long - rumour but rarely - expected , Mamma Mia 2goesThe Godfather Part IIroute by both continuing the story of the Swedish - singing , multi - father family building block and showing how it all came to be ; we follow Sophie ( Amanda Seyfried ) grapple with her gestation , and the younger age of her mother Donna ( Lily James , convey the mic fromMeryl Streep ) tease in the first photographic film .
Of course , it ’s all really about the ABBA and providing intermittently stunning and improbably camp covers of the bands most famous whole caboodle . It ’s those screening that would make you ’d stick behind the credits of any dada nickelodeon picture show , hoping for more . Indeed , during the credits of the firstMamma Mia , there were two melodious numbers from Donna and the Dynamos ( " Dancing Queen " and " Waterloo " ) , and then " give thanks You For The Music " over the course credit themselves . What does the subsequence offer ?
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Straight up , over the first stretching of the credits there ’s a monolithic encore where all the mould from both timelines sing " Super Trouper " . But , if you leave the movie the moment that finishes , you ’re start to have to go again : Mammia Mia 2does have a post - credits scene . What ’s so interesting is that , in a ocean ofMarvel end - credits teases , this is decidedly former - shoal ( admonition : the quietus of the article containsmild spoilersforMamma Mia ! Here We Go Again ) .
The post - credits panorama ofMamma Mia 2is less an extra episode than it is an outtake . It contain us back to the pier on the Greek mainland when Harry ( Hugh Skinner , played a younger version of Colin Firth ’s " spontaneous " banker ) come upon Omid Djalili ’s vogue - obsess passport officer . After Harry ’s been condemned for his forgetful haircut , Djalili tell that if Donna does n’t take him back , then he ’s always there and starts singe " Take A Chance On Me " before snap up ( along with the off - screen crew ) and differentiate the director to call cut .
This form of redundant outtake after the movie is a throwback to decades retiring , when after - credits scene were ( as well as being more infrequent ) much lesser seen ; typically hide jest and fiddling more . That said , in the setting of theMamma Miacanon , it does have a tongue - in - cheek element , given that Harry came out as gay shortly after his run - in with Donna .
Of naturally , because we ’re now ten eld into the tradition of Marvel setting up the next movie when half the audience has run short , this will inescapably chair to questions aboutMamma Mia 3 . There is a mention of Sophie wanting ten years of quiet , a wink to the decade crack between the firstMamma Miasequel and the original , but trivial direct apparatus . As long as there are more ABBA hits to treat , though , there ’s always a hazard .
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