Netflixis preparation to make Original Movies on the level with Marvel Cinematic Universe andLord of the Ringsblockbusters , as part of its push to compete with Hollywood studio . The swarm service   further intends to release   more prestige movie and focus   on genre that studios tend to pretermit today ( like romantic funniness ) .

While Netflix ’s goggle box   department   has tapped   into the zeitgeist   thanks to   original series likeHouse of Cards , Orange is the New Black , andStranger Things(among others ) , its movie naval division has yet to love equal success across the instrument panel . Indeed , for every Netflix Original Movie that ’s garnered vital eclat thus   far ( see : creature of No Nation , Mudbound , etc . ) , there seems to be one or more that are ill receive by critics and/or have a operose   time connecting with viewing audience ( The Cloverfield Paradox , Mute , etc . ) . At the same sentence , there are also those that have fallen somewhere in the heart and struggled to   impact the reality of pop polish -   much less , impress most   critics - yet have attract   a   sizable consultation ( see also : BrightandDeath Note ) .

associate : Netflix is Developing a Death Note Movie subsequence

German woman looking shocked and scared in Exterritorial Netflix movie

agree toTHR , Netflix ’s picture show division head   Scott Stuber and his team want to make moving picture   on the plate of   Marvel Studios and Peter Jackson tentpoles , as part of their big drive to improve the company ’s track   phonograph recording when it come to their original films . Netflix already has one such projection in the grapevine withSix Underground , the $ 150 - 170 million action - thriller that   Ryan Reynolds is headlining and Michael Bay is direct . At the same time , the company plans to continue developing   filmmaker - driven offerings with awards season potential and has several such movies slated to premiere this fall alone ( see : the Coen Brothers’Ballad of Buster Scruggs ,   Alfonso Cuarón’sRoma , and so forth ) .

One plastic film genre that Netflix has already enjoy ( somewhat unexpected ) success with is that of the rom - com , thanks to recent releases likeSet It Up , The Kissing Booth , andTo All the Boys I ’ve Loved Before . Unsurprisingly , in the wake ofCrazy Rich Asians ' success at the box office , THRreports that Stuber contrive to continue building on that momentum by developing even more romantic comedies ,   in order of magnitude to further tap into the demand for the writing style ( which has been observably under - do for much of the past X now ) . Those plans may   eventually include developing enfranchisement aroundSet It UpandTo All the Boys I ’ve Loved Before- though , for the sentence being , neither movie   has a sequel officially in the works , unlikeBrightandDeath Note .

It will certainly be interesting to see if this invigorated   access yields well , worse , or mostly the same answer for Netflix ’s movie partitioning . Although the company ’s attempts to flourish its film   division so far have certainly been intriguing , there has n’t really been a clearly - cut off strategy behind many of its recent move ( like , picking upCloverfield Paradoxand Andy Serkis’Jungle BookmovieMowgli ) and their approach has matt-up a mo scattershot , for that same reason . As such , their architectural plan to start " break down freehanded " with the types of tentpoles - and   not , per se , increase the sheer number of picture - they develop or acquire seems like a saucy bit of course of instruction - discipline that does n’t give their winner with rom - coms and manager - led cinema , in the unconscious process . Question now is , will it actually payoff ?

In a dusty landscape Finn stares out into the distance in Star Wars: The Force Awakens

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We will continue to keep you posted on allNetflix - related updates in the time to come .

reference : THR

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