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Captain Marvelexecutive producer Jonathan Schwartz is an in - house achiever story for Marvel Studios . Schwartz has been with the studio for 9 year , cut his tooth as an helper to Kevin Feige onIron Man 2(2010),ThorandCaptain America(2011 ) before start to climb the run . In 2014 , Schwartz co - produce James Gunn’sGuardians of the Galaxyand then , in 2017 , made the jump to executive producer on the sequel , putting him in sole fellowship as one of the penis of Feige ’s mastermind reliance .
Schwartz ’s experience on theGuardians of the Galaxyfilms make him a number of an expert on the cosmic quoin of the Marvel Cinematic Universe , so having him superintend the development ofCaptain Marvelassures some grade of continuity is established as they continue to expand on the be mythology while also wander novel elements into the cosmic tapestry . have someone on board who has already been a part of elaborated discussions about the studio apartment ’s plans for the cosmic characters was certainly a benefit to the product ofCaptain Marvel .
In an consultation with Screen Rant , Schwartz talk about set Carol Danvers ’ line of descent account against the backdrop of an intergalactic warfare , gave some key insights into the Kree Starforce of which Carol is a member , and detail what variety of stakes could maybe weigh for the most sinewy fellow member of the Marvel Cinematic Universe .
Jonathan Schwartz : … A little bit about how this film is different structurally from our other line story , which is something we were consciously trying to accomplish . The picture show starts with the Captain Marvel quality already in out space , already having great power and already fighting on the side of the Kree in the Kree Skrull warfare . You get a glimpse of her team there , star strength , led by the Jude Law character . Very quickly along this journey they get dispatched on a foreign mission to an alien planet to fight the skrulls and over the course of that mission , Brie Larson ’s fiber is captured by the Skrulls and then over the line of that adventure she witness herself on Earth , crashing through the roof of a Blockbuster video because it ’s the Nineties . And that puts her in inter-group communication with the younger , two eyed version of Agent Fury and the two of them together have to stop the skrull plot of land on Earth . And at the same time get to the root of Carol ’s past . So that ’s the bones of the movie . I ’m trusted you have a lot of questions .
What ’s the difference between the green and red costumes ?
Jonathan Schwartz : It ’s not a spoiler to tell you the blueish , gold and red costume is going to be in the movie . The unripened costume is more of the Kree colors , Kree star topology force colouration , but over the course of the film that costume will go through at bit of a variety .
Is there a plot of land reason ?
Jonathan Schwartz : There definitely will be .
SHOWS FOOTAGE
What can we expect as far what s set in space versus Earth ?
Jonathan Schwartz : In terms of Earth versus Space . It ’s more or less 50 50 . The motion picture starts in space get to Earth relatively promptly and it goes back to space for form of some of the third act . So it ’s kind of space Earth space . There is a big Earth plot that terminate up bond into a lot of our more cosmic goings on .
Are the scene at the Air Force base before she gets into space ?
Jonathan Schwartz : Yes . So that ’s kind of Carol ’s past as an Air Force pilot which take place before she starts fighting for the Kree and before she induce into prohibited place .
But that ’s act two of the pic ?
Jonathan Schwartz : Yeah , I mean it come after the distance material . You know one of the challenges with subverting that Origin structure is you ’ve still got to find a way to let the audience understand who that character is and there are some creative way over the course of this movie where we ’re able to get that part of Carol ’s floor across .
Is it linear ?
Jonathan Schwartz : It is and it is n’t . I do n’t want to get into that too much because there ’s a few cool surprise along the way of life . But yes and no . Sorry .
Obviously setting in the ' 90s answer the dubiousness where she ’s been the whole time . When did that decision get made and how did the determination get made of setting the movie beforeIron gentleman 1 .
Jonathan Schwartz : Funny , really honest , I do n’t know precisely when . Very betimes in the ontogenesis process I think we kind of seized on the estimation of set in the 90s as a way to kind of let the character reference carve out her own infinite in the cinematic universe and give her a lot of thematic weightiness and significance to the world . It ’s more or less this escapade that ’s go to inspire a luck of what we see in MCU and kind of being able-bodied to see those things in this motion-picture show that blossom in other movies and already have blossomed in other movies is one of the big excitation . And then also just the theme of the 90s as a menses which is something I do n’t think we ’ve been capable to explore a lot of , it ’s far enough in the rearview mirror that it was ' Oh yeah , the 90 . I have memories of that era . ' But I have n’t seen it constitute a lot on film . So being able to play in that sandbox is exciting and do things like recreate a blockbuster which was topnotch playfulness to take the air through and made me leave out strong-arm media in a style I did n’t expect .
Will the questions surrounding the pager at the goal of Infinity War , like why did Nick Fury use it then , where has she been , etc , be resolve here or later ?
Jonathan Schwartz : I think it ’s a combination of thing . I think we will . sympathize over the course of these movies why Fury make the decisions that he does . He ’s always a mystic cat and he always has his own reasons but hopefully we can clarify some of that for the hearing .
Was there anything in the amusing seed material that was indispensable to this pic ?
Jonathan Schwartz : Yeah , you experience , there ’s a running play of funnies by Kelly Sue DeConnick that really cause to the marrow of the character in a way of life that we thought really made us require to render it to the screenland . She really translate Carol and really made her modern and vibrant and cool in a way that she was n’t always write as . Sorry . That was n’t the capital quote of all clip . And a set of majuscule artist working with Kelly at that time . Dexter Soy is great and Jamie McKelvie was awe-inspiring and it just sort of represented a vision of the fictional character that we remember would render to screen really easily . And Kelly ’s actually been act upon with us on the flick and has been very helpful and consulted with us and shot a cameo the other day which hopefully you hombre can all pick out . But she kind of had a vision for Caroll that leaned into her Air Force root in a really cool elbow room and tend into the power of a persona in the inspirational nature kind of at the substance of Carol that we call up was super cool .
Are there specific issues we should calculate at ?
Jonathan Schwartz : Everything Kelly Sue did was great . Some of that ’s establish on Earth some of that ’s based in space . It ’s all awful . I ’d say it ’s much more useful as denotation for the character than for plot particular which is n’t uncommon in these movies . Sometimes We go and say we ’re going to make a moving-picture show about Civil War even though that ’s a little bit of an adaptation of that that plot line as well . Sometimes it ’s this group of characters called the Guardians of Galaxy seems coolheaded let ’s put them on their adventure and sometimes it ’s this is what ’s cool about this character , there ’s this issue , this military issue , this issue and that all kind of becomes the grist for the mill filmmaking .
What percentage of this is a Nick Fury origin story ?
Jonathan Schwartz : There ’s a Nick Fury stock story in there . The movie is definitely called Captain Marvel . It becomes a two hander for part of it . So . We sort of wanted to give the audience that form of young Nick Fury line history as you put it and it ’s all there . Hopefully in a way that compliment Carol ’s risky venture too .
Can you talk about her specific baron as compared to what we see in the comics .
Jonathan Schwartz : Yes . By The last of this picture show we ’ll have seen the full run of office ’s out of Carol . So that ’s flight of stairs and strength and photon fire . You have sex I imagine part of what made us excited about the type was that she was such a powerful lineament in the comic books and one of the most if not the most powerful fictitious character in the Marvel Cinematic Universe and find out all that brought to bear is one of the big pleasure of the movie .
Will we see the binary part of Carol ?
Jonathan Schwartz : Yes . For trusted . And also one of the thing we love from the comic strip was that mohawk haircut look that pops up in that run a little minute .
Not even the mohawk , I meant the dots .
Jonathan Schwartz : Oh , yeah . She had a petty trailing markers . Yeah there will be some some ocular effects there .
Marvel make out to make their write up different genres . What genre is this besides a period moving-picture show ?
Jonathan Schwartz : It feel weird calling it a genre but the genres is ' 90s natural process pic . Like if you think about movies like Robocop or Total Recall or Terminator 2 or Independence Day I guess there are common action picture show screw thread you could tease through those movies which are what we ’re trying to pick up on in this movie .
You name blockbusters , are there more ' 90s nostalgia things ?
Jonathan Schwartz : I ’m hope we can get some ' 90s euphony to pepper in [ I saw a NIN shirt ] Yeah the Nine Inch Nails shirt was a coolheaded one . I do n’t love if you guys encounter the Rock the Vote poster but they ’re up there . Part of the playfulness of the movie is finding those little hint that we can tickle the nostalgia bone with .
Will it have more of a soundtrack than a grade ?
Jonathan Schwartz : I think it ’s go to be a mix of both . I do n’t think it ’s going to be an awing intermixture CD number one but I think it will be fun to endeavor to incur those moment where the ' 90s music determine off . [ I have a request for Janet Jackson ] Yep if anyone has requests . This varlet just has spin doctor all the direction down .
What can you tell us about Ben Mendelsohn ’s part ?
Jonathan Schwartz : Ben kind of play the grimace of the Skrulls the leader of the Skrulls and that ’s that ’s Talos . Over the course of the movie he ’ll shapeshift a little bit so we ’ll get to see him in human form as he fancy that sizzle . I consider it ’s sort of playfulness to show off both the Skrulls big businessman and Ben ’s range as an worker because he ’s very different in all of those parts . It ’s been A-one playfulness to check .
When we hear Skrulls we believe Secret Invasion . Has that been on your mind or been discourse ? Because I experience like after seeing this movie I ’m get to be like every character in the MCU and be like that ’s a Skrull ?
Jonathan Schwartz : That ’s nerveless right ? Yes we talked about Secret Invasion . I would n’t go into this moving-picture show saying ' Which one of these superheroes is a Skrull ? " Because Carol ’s is more or less the first superhero to show up on Earth . But are we engraft seeds for succeeding movie ? Always .
Do you you play with paranoia ?
Jonathan Schwartz : Yes .
How are you go about Jude ’s character because obviously that character is a huge legacy in the comic ?
Jonathan Schwartz : I think Ryan and Anna and the writers we ’ve work with have really interesting takes on Judes lineament . Jude does play a wise man eccentric character and I think it ’s a challenge like you said to verify that the mentee part of that equation shin . But I think we found a way into the case and kind of into their relationship . That ’s really interesting and that multitude are n’t give out to expect .
Can you talk about Star Force ?
Jonathan Schwartz : Yeah . There ’s a grapheme named Bron Char play by Rune Temte who is amazing . Captain Atlas play by Alegenis Soto , you may recognize him from Ryan ’s movie Sugar which was amazing which I extremely recommend and Jemma Chan is playing Minerva . She ’s called Dr. Minerva in the funnies too . They ’re all super cool they sort of shape this like extinct space Seal Team 6 and there ’s a lot of awing activeness with all of them together in the former going with the movie . Oh yeah and Korath , I ’m so sorry . And Djimon Hounsou character Korath who he ’s reprising from Guardians one and Ronan of course we ’ll see as part of that Kree military action early in the movie .
Will we see S.W.O.R.D. , the blank space version of S.H.I.E.L.D. , or any other cosmic things ?
Jonathan Schwartz : I do n’t think we have S.W.O.R.D. in this moving picture and this picture kind of takes place before Earth is aware of stranger or superheroes or any of that . So it would be pre - Avengers , Pre Sword , Pre Iron Man . Pre All of that . And the 2nd part of your question ?
Any other cosmic stuff besides Kree and Skrulls ?
Jonathan Schwartz : It ’s really focused on the Kree Skrull war . There are little elements other stuff and sort of Blink and you miss it moments . But the Kree Skrull conflict is kind of the heart of the movie .
Why is earth part of the Kree Skrull War ?
Jonathan Schwartz : You ’re going to have to find out the film .
Knowing the war go back centuries , how much does the movie delve into that chronicle and how much did we see ?
Jonathan Schwartz : you ’ll see as much as is necessary to get captain marvel go on her chronicle . It ’s a engagement that ’s make out with in a very real way hopefully without overloading the audience with exposition which we never want to do . But I think the thrusting of the picture show is to get our characters in the action as quickly as we can and get that story moving .
Does it become a background conflicts that the report has takings place during ?
Jonathan Schwartz : Yeah , it ’s an age old conflict that our story . Picks up during .
Speaking of the Kree Skrull war in the comic itself it has a political elements that are tied into like kind of paranoia , will that be in the movie ?
Jonathan Schwartz : If you ’re verbalise about variety of the Craddick anti superhero act hooey from the comics ? Not Really . There is a paranoia element that ’s a little bit unlike from what ’s in that specific plot line . But it ’s not kind of related to the anti superhero who could be a Skrull comic hooey . And what I ’d say about the Kree Skrull war overall is it ’s much more of a kind of backdrop and mythological underpinning for the picture show than it is a direct lift of that game like Civil War was .
In term of using Coulson who has a next story with the Kree from TV was that challenging to count on out how you just kind of focusing on Coulson as he is .
Jonathan Schwartz : The great part about it is we just get to focus on him as he is so we do n’t need to vex about the hooey he ’s going to see later . There ’s plenty of merriment parallels I ’m trusted . But we get to see Coulson in his first meeting with Nick Fury at a much younger age where the Kree are n’t even part of his vocabulary yet .
In the footage . Fury says he ’s ready to attend it up until he meets Carol . Sort of what attend you say about that is that part of the movie ?
Jonathan Schwartz : Yeah we ’re we ’re assemble Nick Fury at a very interesting fourth dimension in his life . It ’s kind of the mid XC the Cold War is over , the state of war on little terror has n’t begun yet . It ’s a trivial morsel of a slow time period for worldwide espionage . And I think Fury is kind of wondering what his place in the populace is , in a world where he feels maybe a little disused . And then alien come down from outer infinite .
Will we see Hydra ?
Jonathan Schwartz I would n’t go into this motion-picture show ask a Hydra plot . I think with the Skrulls get to be their own affair . But if you remember your Marvel history they ’re definitely there .
I see over there on the gameboard … Will we see the Supreme Intelligence , like that translation over there ?
Jonathan Schwartz : For sure . Part of the playfulness of the Kree world is establishing the Supreme Intelligence . I do n’t opine you could do Hala without it .
In the comic , looking back at Carol , she ’s had a very long , convoluted and at times problematic history . She ’s also had multiple personas . She ’s been Ms. Marvel , Binary , Warbird , Captain Marvel . Also one thing that I find really interesting about her is she ’s also been on the wrong side of chronicle , like in both polite wars … She ’s not on the button the fall beacon of heroism that some the great unwashed would envisage her to be . Looking at all of that , how do you resolve which elements to put in the movie ?
Jonathan Schwartz : You know , It ’s the same process I mean we go through with all of our moving picture , especially our origin moving picture , where we attend at what storylines make our characters bound off each other in the most interesting way , what bestow out the trait that we want the audience to see in these characters . And what makes us respond to those character , and how do we get that across to the interview ? And that always ends up being a mixture of a tidy sum of different stuff . I think we wanted to make Carol really inspirational . And not inspirational because she was perfect , inspirational because she was flawed . There ’s a circumstances of keen clobber to draw from , both in Kelly Sue [ DeConnick ’s ] run and elsewhere in the comics from that . Certainly some element of her news report postulate an update for a modern consultation , which we frequently do , and I ’m hoping the interview will be along for the drive for that , and excited for what we did with these characters .
Will we in any path see you turn to Ms. Marvel , not the Kamala Khan , but how Carol used to be Ms. Marvel ?
Jonathan Schwartz : No . Sorry , no .
This feels a petty bit on the cosmic side of matter , we get it on James Gunn is kind of manage that in a agency . Is he at all involved in this ?
Jonathan Schwartz : I think he ’s take the hand , we talked to him about it a picayune bit . It takes berth before a lot of what he ’s doing happens , so I ’m sure the Skrulls will be a fun toy to dally with at some point . But I think we ’ve really been able-bodied to do our own affair . But we love when James gives input for trusted .
Can you talk a little bit about Anna and Ryan . It palpate like the director trend come through more and more with every movie I ’ve seen . What do they bring to this one ?
Jonathan Schwartz : All these movies get going from a spot of see at the fibre , retrieve out what defecate them cool , and bring that out on the screen . And what ’s keen about Anna and Ryan ’s movies is they ’re so quality - focused , they become these amazing fiber musical composition . And they had a take on Carol , and a take on the movie , that brought all that to light in a great way . And so , now , they ’re really sinking their teeth not just into the public presentation and not just into the graphic symbol , but the pre - vis , the action , and everything else that goes into making one of these movie , and they have amazing character instincts , awing skills of fix performances out of worker , and really incredible action instincts and commercial instincts , so they ’re really work it all to the mesa and we ’re favorable to have them .
This is plain gon na be the first distaff - spark advance Marvel movie . Was there something about Carol that made her the character that was travel to take on that blanket and be this variety of reinvention of not just the MCU but also be the first distaff lead Marvel superhero with a solo movie ?
Jonathan Schwartz : Sure , I think if you ’re going to put that on anybody ’s shoulders , Carol ’s are the strong . She was always a character that excited us from the comic books . In all the mythology and all the characters we had to thread from , she always kept rear to the top . Her powerfulness are A-one - coolheaded , her story ’s super - coolheaded , the world she buzz off to take part in is super - coolheaded . And that sort of all goes into the tophus of , what ’s the next movie go to be ?
Are you going to be using any of that kind of de - aging , CG engineering that we ’ve seen in other Marvel movies for Sam or Clark or anyone else in the stamp ?
Jonathan Schwartz : We will . We ’ll be de - aging Sam a little bit , we ’ll be de - aging Clark a little bit . gratefully , both Clark and Sam look awe-inspiring , which is a with child assistance for us . But yeah there will be a little bit of that . It ’s certainly more shot than we ’ve had to do in other pic . We ’ve de - aged Robert [ Downey Jr. ] , who looks awful , and Kurt [ Russell ] , who also looks amazing , we ’ve been very lucky with the actors who ’ve croak through this physical process . But this will be significantly more in a motion-picture show than we ’ve ever done before , which is a sport challenge to have , but I do n’t believe we could ever ask someone to maltreat into Sam Jackson ’s shoe , so I ’m glad we ’re doing it .
You ’re introduce Maria in this plastic film , and her daughter Monica , so is that obviously go to be a set up for the future ?
Jonathan Schwartz : I go for there ’s more story to tell with Monica , for sure the movie leaves it open for that stuff . I believe one of the things that was really fun about the stories that came together and the Monica relationship and the Maria relationship with Carol was being able-bodied to tell this story of female friendship , and intergenerational distaff friendships .
She ’s a female parent , and you do n’t really see that in superhero picture show . Was that a conscious decision to make her a female parent and make that part of the narration ?
Jonathan Schwartz : It was , and it felt like a natural way into the Maria - Monica character . It felt up like a great way to give Carol a fun relationship that we have n’t determine before . And it ’s not gon na keep Monica from being away from the fun of this journeying .
Can you talk about the character being played by Annette Bening ?
Jonathan Schwartz : No . Can I come about on that one ? I ’m gon na pass .
There ’s a lot going on in the early ' 90 in the MCU with Klaw stealing the Vibranium , Howard Stark dying just a calendar month before that . Is any of that tied into this motion-picture show ?
Jonathan Schwartz : It ’s all happen . It ’s all take place in the background . Part of what we liked about the 90s , like I say , was giving Carol her own turf . There are a slew of frame-up , and there are a lot connectedness to other things happening in the Marvel Cinematic Universe , but I call back what ’s most important is giving Carol quad for her own adventure .
Can you specifically say what year this admit place ?
Jonathan Schwartz : Uh , I think we say … Actually , no , no I ca n’t .
Is there a unequalled MCU spin on the Skrulls as oppose to what we know from the funnies ?
Jonathan Schwartz : There ’s always a twist on it , there ’s always a take . But I think what the great unwashed sleep with about the Skrulls is , they ’re not to be trusted , they can mold - shift into anybody , and that get them super - dangerous . And those thing I recall you ’ll definitely find in the movie .
I did n’t see the chin . Are you going away from the Thanos chin ?
Jonathan Schwartz : Oh no , man , they ’ve buzz off chins .
Thanos chins ?
Jonathan Schwartz : They ’ve suffer their own chins .
We ’ve been try a lot about how Captain Marvel is the most herculean hero in the MCU . What does that mean ? Does that mean she can just circumvent Thor and Hulk in a scrap ? Or is there more to it than that ? Can she beat Thor and Hulk in a combat ?
Jonathan Schwartz : I know comfortably than to wade in the ' Who can beat Thor in a fight ' [ argumentation ] .
Well , if you ’re order she ’s the most sinewy , I ’m interested in listen an account on what you mean when you hombre say that ?
Jonathan Schwartz : I think if you go back [ to the taping ] … Is anyone register this ? I think it was , ' one of the most if not the most . ' But part of the fun for sure is that she is super - powered and kind of able-bodied to use her powerfulness on a plate that we have n’t seen before . What that signify for the pic , I suppose we ’ll hold off and see .
One of the things about the Marvel film , starting back withIron Man , that throw them so pleasurable , is that they do find so grounded even though they get so cosmic . Can you talk a little bit about how this film is going to feel grounded even though it ’s very fantastical ?
Jonathan Schwartz : Yeah , it ’s a small misleading , because everything behind you [ on the wall ] is extremely grotesque . We did n’t do a great deal of conception art of all the virtual locations we ’re shoot in . But that ’s about half the flick . Part of the fun of shooting in Los Angeles is we get to go to real places and really shoot there . And that ’s also part of what Ryan and Anna bring to the movie and part of their esthetic , is grounding this variety of unbalanced outer - space adventure in the world of spud in Los Angeles . And I think that ’s going to result in a really interesting , really coolheaded aesthetical that you have n’t seen in a Marvel motion picture before .
Is that why you guys decided to shoot here and not in Atlanta , primarily ?
Jonathan Schwartz : There ’s a few different rationality . One of them is , not a lot of big picture show shoot in LA anymore , so it weirdly feel like fresh district for a movie like this . I think we really like the estimation of shooting LA for LA , specially ' 90s LA for LA , which is so specific and cool . And part of it is that our crews have been traveling to Atlanta and traveling to the UK and travel everywhere for a long time , and getting them home to see their families for a moving-picture show is not the risky thing in the world .
There are a lot of parallels betweenCaptain MarvelandGreen Lantern , with being in the Air Force and she ’s depart to space to push with aliens , wearing a green costume , getting superpower . Did you cat discuss that at all ? Like maybe where they zig , we ’ll zag , that kind of thing , or possibly a cautionary tale ?
Jonathan Schwartz : I ’m sure we discussed it at some point . I call back the type are unlike enough and where they come up from are dissimilar enough that it was n’t a vast thing . Certainly what we want to do with this movie , and with every movie , is show the interview something they have n’t see before . And I think that means pass water it unparalleled from Green Lantern and unique from the other Marvel flick .
How do you make Captain Marvel very potent but not over - herculean for this cinematic world , because it ’s not just this film but everything ?
Jonathan Schwartz : Very good interrogation . I do n’t know if I know the solution to that yet . I ca n’t really address to the film going forward , part of the joy of this flick is going to be seeing Captain Marvel recoil a lot of ass . If we ’re golden enough to be able to see more of her going forward then I recall we ’ll think about how to give her challenge that come across with the interview still . sure I do n’t suppose steer into other movies that you may see her in , you ’re depart to worry about her feeling overmaster . [ Laughs ]
We saw a injection of her in the first reel of her with Cap . I assume that ’s not in this movie ?
Jonathan Schwartz : That ’s not in this movie .
Can you describe Captain Marvel ’s family relationship with Mar - Vell , Jude Law ’s fictitious character ?
Jonathan Schwartz : Uh , her relationship with Jude Law ’s graphic symbol , it ’s a really wise man - mentee thing . He ’s kind of the drawing card of her squad on Hala and teachers her in the way of being a Kree warrior . And so over the track of their escapade , when she gets entrance by the Skrulls and they get differentiate , he spends a lot of the film trying to find her and trying to get her back and deliver her from the Skrulls .
It ’s a tender relationship , but it ’s very much wise man - protégé . And I think Carol still has a lot of the elements that made her human in her , which Jude Law ’s theatrical role both appreciate and is irritated by .
Do they have that kind of longsighted account together ? Is he part of that origin story ?
Jonathan Schwartz : Uh , is he part of that pedigree story ? I ’m gon na passeroo .
Did Brie actually go up in the fighter spurt ?
Jonathan Schwartz : She totally did . She whole kicked ass . I would never do it in a million years . It attend so serious . [ laughs ] Yeah , she really went up there , as did Lashana , as did Anna Boden , our director . I get unquiet and nauseous just sit through the briefing where they severalise you what ’s gon na chance up there . But she went up , they sacrifice her a call signboard , she went through the whole bit .
This is Marvel ’s first mod distaff - tether movie . Did you hombre look atWonder Womanat all and take any lessons from that , or any inspiration ?
Jonathan Schwartz : You jazz , what was so peachy about Wonder Woman was talking to female audience members afterwards about how they felt watching the movie . And a wad of the people I talked to just said , ' I ’ve never felt like that watch a movie before in my full biography . That character resonated [ with ] me in mode I did n’t even love a fibre could resonate with me . ' Which was cracking to hear , and kind of an amazing thing … I opine it assist us empathize how important movies like this are . So in terms of build the movie feel distinct , I think all these moving picture chart their own courses anyway . It ’s just like Green Lantern . We do n’t need to make a movie that the great unwashed have seen before . But I think that means make the flick feel trenchant , not just from other female - lead moving picture , but from all the other Marvel picture show as well , which I think we attempt to do on every moving picture . It was n’t a new challenge , needs , but it was one I think we were extra - excited for because of the nature of what this motion picture mean to people .
Was there any challenge in the fact that it ’s a prequel , essentially , to the rest of the MCU , knowing that Carol is still depart to be live after Infinity War . Is there anything there you bozo concern about , thematically or dramatically ?
Jonathan Schwartz : Uh , no . deplorable , can you reiterate the question ?
The film ’s a prequel , you have 20 movies that take place after this I was wondering , screw that she ’s around and know that she ’s still alive at the end of this , not with this movie [ butInfinity War ] , how do you give her stakes ?
Jonathan Schwartz : I cogitate the audiences know enough by now that we ’re probably not going to stamp out off an origin fictional character in an beginning pic . So I do n’t think that ’s a immense jump that she ’s going to be animated at the end of the movie . And a lot of the stakes in the movie are n’t centered on Carol , of necessity . I think the way to approach movies like this is n’t of necessity who ’s going to live ? Who ’s going to decease ? But what do you want the interview to get out of it ? What ’s the journey you want them to go on ? Can you get them invest in this eccentric ? And I intend hopefully the answer to that question is yes .
All moving-picture show in the MCU have that kind of unique MCU feel . But then you haveGuardiansandThor : Ragnarokand very , very funny , more emphasis on witticism than activity , or more emphasis on sense of humour than sincerity . Then you haveCivil WarandWinter Soldierthat are just really labored , very spectacular , with just a sprinkle of body fluid . Where does Captain Marvel [ relate to those tones ] ?
Jonathan Schwartz : It ’s kind of somewhere in between . You know , Carol in the comics is a very funny fictitious character in her own way . In a way that does n’t feel like Doctor Strange , in a way that does n’t finger like Iron Man , like Robert Downey Jr. , that gets to be her unequalled vox , and that ’s the vocalisation that we tried to get across . Which is n’t joke a minute , Rocket Racoon Guardians of the Galaxy , which is passing comic , and is n’t super grounded , kinda heavy , as some of our other motion-picture show have been . I opine it inhabit a place a lot like Doctor Strange , that takes the movie and the stakes of the movie pretty seriously , but allow for the characters to have playfulness within it .
I do n’t necessarily expect huge details , but back to the stakes question , what are kind of the stake ? Are we talk about the decimation of the entire universe ? Are we peach about mostly personal stakes ? What are they protecting ?
Jonathan Schwartz : Like all Marvel movies , it ’s a mixing of both . I think we ’ll be rooting along the course of this flick for Carol to reconnect with her humankind , and that really is the stakes of the motion picture .
What is undefended World ? ( The working title of production )
Jonathan Schwartz : It does n’t mean much , I ’m sorry . Very early on in the process we have to plunk those titles . And at the time we were still very early on in developing the movie , so it was like , it was sort of a like an open human beings video secret plan in a pile of way . Like it was a movie that could be a lot of different things .
As far as the quad battles and things , is it locomote to be something more like darker like aRogue One ? Are we gon na see a war ? Or is it gon na be more like operatic big space , kind of shiny and unclouded with the explosions versus down and dirty ?
Jonathan Schwartz : Um , I ’m not quite sure how to resolve that yet . It ’s going to be PG-13 , for whatever that ’s deserving . You know , I think the hope is to show the stakes of galactic war , but not in a way that ’s gon na take away from the fun of the movie . Does that do your question ? Okay . I think that ’s the best I can do right now .
Were there timber that you guy immediately recognized in Brie ’s performance and interpretation of the lineament that impact the way you went in the film and the room that , like - there ’s degree of separation between Tony Stark and Robert Downey , Jr. , you screw , he owns that character . Is there - did you find that with Brie , too , are there ways that she work the way the film unfolds ?
Jonathan Schwartz : With all of these movies , the voice of the actor ca n’t serve but come through . And with Ryan and Anna ’s help , and kind of run by the script , I think they ’ve find a reading of Carol that ’s really cool , that ’s not on the button Carol from the comic Bible , and not even exactly the Carol that you read when you understand the script varlet , but becomes kind of their own unique creation that ’s really nerveless and really interesting . And Brie certainly has done everything she perchance can to make the role feel as substantial as potential . I recollect she spent more time at the stunt gymnasium , training for fight , than any actor I ’ve ever worked with . Which is astonishing to watch . She ’s drop dead up in fighter jet plane , she ’s hung out with the Thunderbirds . She ’s going to do a lot of her own stunt this movie , and a mess of her own combat , which , you see a little of in that behind the scenes gyrate . Not a lot , not a ton of actors would be doing those wire gag , doing that poppycock for material . I did that poppycock earlier today , because I indiscriminately stopped by the stunt gym , and it take a lot out of you , man ! It ’s really hard ! I do commend it if you get the chance , stop by stagecoach A , they ’ll put you up on wires . It ’s super fun , but it ’s … it ’s not easy . I was pulling this up to show you guys a video , but perchance another time .
Is there anything you may tell us about any of the specific munition here ?
Jonathan Schwartz : Yeah , I mean , you know , Star Force , like any awesome , out blank space scrap force play , has their sort of own unique skills and weapons . You know , Korath has his awing blade , Bron - Char is kind of a cock-a-hoop , inviolable guy rope , he fights with his clenched fist . Att - Lass is more of a crack shot that has those two pistols , Minn - Erva is the sniper of the grouping who kind of gets to be a little number off , and Yon - Rogg … there ’s sort of their own , other powers sprinkle throughout . Sorry , did I babble about Djimon ’s steel ? Yes . Okay , good .
For Carol , could you mouth about her personality a little bit ? Like , where does she get her morality from , what ’s her motivation in the movie , what ’s her baggage , you know , what ’s her defect ?
Jonathan Schwartz : I mean , a hatful of the moving picture is about Carol not remembering her human past times . When we meet her at the beginning of the film , she believes that she is a Kree , and kind of has been induct into their army , she ’s proud as a person , she loves being a Kree . And then over the track of her risky venture , realized there ’s more to her story than that . So the movie kind of becomes her ravel out the root of her own ancestry , the rootage of her own mystery .
She believes she ’s a Kree , you said ? Like , she - it ’s almost like a brainwashing type matter ?
Jonathan Schwartz : That ’s from the early Miss Marvel funnies .
Okay , but is that - like , she - okay . I ’m not saying it ’s not , but I ’m just saying that she ’s under the notion at the time we meet her ?
Jonathan Schwartz : Yes , when we meet her , she believes she is a Kree on Hala .
InTop Gun , they shot all of the air sequences actually in the air . Are you trying to go more for something like that , because it ’s nineties military action , or is a lot of it gon na be CG and on - stage with green screen door ?
Jonathan Schwartz : We go to Edwards , we shoot some hard-nosed stuff for line to air succession . A lot of that will end up being CG , just by the nature of the beast . But to the extent that we could shoot practically , we did . And … even the stuff we shoot practically inform the visual effects clobber so much , and it ’s immensely helpful . And the Air Force has been awful about grant us their assets and their hangars and their airplanes to utilise , it ’s been an incredible experience .
Where else have you guy shot in LA ? Or , where will you ?
Jonathan Schwartz : Let ’s see , we hit in that one rando strip mall that you guys saw in the paparazzo photograph . We ’re head up up to Simi Valley soon , to shoot in a quarry up there . We shot at this other rando funnies plaza in the Valley , which is where that Blockbuster Video got build . We shot up at Shaver Lake , which is outside Fresno , and at Edwards Air Force Base , which is a couple hour forth . We frivol away in the Lucerne Valley for some of that desert look . It ’s been a wad in LA , and then a passel around LA .
In the clip we see Carol , at one full point we escort she had on her courtship with a black strip on her chest , is that for CG for the symbol ?
Jonathan Schwartz : Suit with a dark landing strip on her chest … oh , I think that ’s just her in , like , you know , the dresser home comes on separately as a firearm of the costume , so when she sit down down and does interview , it ’s not the most comfortable affair in the world to seat down , so it in reality comes off .
Did you mention we ’d be seeing Yon - Rogg in this celluloid at all ?
Jonathan Schwartz : Yon - Rogg does pop up , yeah .
Okay .
Jonathan Schwartz : He ’s an crucial part of the mythology .
Like you said , her powers , when you said that they ’re , that she ’s the most herculean , so we ’ll see , like - I ’m trying to think , like , the most cinematic matter we ’ve experience in the cosmos is probably Thor , as far as show off when he blasted all the aliens in the Avengers . Are we gon na see things that are bigger than that ?
Jonathan Schwartz : Yeah . Yeah .
Can we wait starship battle ?
Jonathan Schwartz : Yes . Any other requests ? We got , like , twenty - five shooting daytime left !
fourth dimension travel ?
Jonathan Schwartz : Time travel ? Okay . respectable .
The trick with a part that ’s that powerful is also keeping her vulnerable . Is there - did you Guy put a raft of thought in how to keep her - you know , keep those kinds of stakes with her ?
Jonathan Schwartz : We did . And she - I would n’t say she ’s that powerful for the entire movie , and a lot of the movie is kind of about her read her true power . So , it kind of becomes an yield for more the end of the moving-picture show , and more going forwards than it does for this movie .
You said that Nick Fury is kind of going through a dull stop in his career , and then he comes across Captain Marvel . Are you able to say what his reaction is , does he see her as a threat ?
Jonathan Schwartz : I think he reacts very much as any of us would . First , escort a person in a teal unripened Star Force turnout tell you , say , I ’m an foreigner from another planet , and there ’s Skrulls pass through your world ! Okay . But , very quick , he encounters the Skrulls on his own , and sort of realizes that he ’s wrapped up in something much large than he could have ever imagined .
Can you say how Carol and Nick Fury ’s relationship liken to Nick Fury ’s family relationship with the other superheroes we ’ve seen ?
Jonathan Schwartz : I cerebrate it benefits in its uniqueness by induce Carol be the first superhero he ’s ever encountered or really take heed of in his biography . She sort of gets to be the windowpane to him for this entire , bigger universe . So , he ’s a little , a trivial less of the , I eff everything there is to know , Nick Fury that we see in the later movies , and a small bit more , perhaps , open to raw ideas .
Is this where we learn what happened to his optic ?
Jonathan Schwartz : Pass .
How does … it seems like there ’s some handsome , climactic material happening in this pic . How does nobody in Earth or Iron Man , the consequence of Iron Man , or the Battle of New York , bed about what has pass off , you know , the big clobber that ’s materialize in this movie ?
Jonathan Schwartz : I intend , you know . I could answer that , but then I ’d have to get into what all the bragging material is . I do n’t make out . That feels like … that experience like a wait and see . Sorry . None of you guy have asked about the cat , I ’m really surprised .
I was just about to ask about the cat !
Jonathan Schwartz : No , it ’s too late ! It ’s too late !
Tell us about the computed tomography !
Jonathan Schwartz : There ’s an awesome quat in this movie named Goose .
Is that aTop Gunreference ?
Jonathan Schwartz : That is a Top Gun reference , kind of a take on Chewie from the comedian . Goose is played by a squad of four cats , who all have their own specialty . There ’s Reggie , there ’s Archie , there ’s Rizzo , and there ’s Gonzo . They ’re an A - team of quat who can all do one trick , because you ca n’t teach cats - I find out all about cat , shooting cats over the grade of this movie . So one of them is , like , the face khat , who ’s the pretty cat , that ’s Archie . No , drear , that ’s Reggie ! One of them ’s the holding cat you hold and can be held . One of them ’s , like , the nuzzling kat who will walk up to your wooden leg and nuzzle it . And one of them ’s , like , the cat who will paw you , who ’s a jerked meat . I think that ’s Rizzo . If you told me before this movie started that I would be auditioning guy to playact the office of Goose , I would not have believed you .
Were there any moreTop Gunreferences ?
Jonathan Schwartz : There ’s credibly one or two other I sprinkled in there . ace that I only file subconsciously now .
Do we see the cat in a costume ?
Jonathan Schwartz : Oh , the mask ? possibly , that ’d be coolheaded .
Gon na do a Caterpillar - proprietor viewing , bring your …
Jonathan Schwartz : Oh , world , I ’d love to . People are gon na love Goose !
dog get everything , cats get nothing !
On the comic , on this last page over here , there ’s a big tentacle freak , is that something that ’s gon na , we ’re gon na see something from ?
Jonathan Schwartz : You know , that ’s a version of the Supreme Intelligence , and the Supreme Intelligence is a part of the motion picture .
Over here ?
Jonathan Schwartz : Oh , sorry , that tentacle monster !
Yeah , that - yeah .
Jonathan Schwartz : Sort of , we sort of … no .
What can you say about Ronan ’s role in the movie ?
Jonathan Schwartz : Just like it ’s an early version of Nick Fury , it ’s an earlier interpretation of Ronan , who has not become the radical zealot that we saw in Guardians of the Galaxy : Volume One . So he has his own post in Kree society , on Hala , and has his own purpose to play in the Kree military that intersects with Star Force in an interesting way .
Will we be … you make love , will there be sort of a … will we leave him in a place that we ’ll kind of see how he gets to where we see him next ?
Jonathan Schwartz : Yeah , a little bit , yeah . I intend , I opine the seed - just like there ’s a Nick Fury origin story eat up in this movie , buried a lilliputian bit deeper is the Ronan extraction tale . I ’m sure you cat have many more exciting people to talk to over the course of the visit , I do n’t wanna hold you up .
