The Curse of La Llorona
The Curse of La Lloronais abox office staff smasher , but its Easter weekend opening was dampened by some moderately fell reviews from critics . An drawn-out congeneric of theConjuringmovies , The Curse of La Lloronais ground on the Latin - American folk tale of a cleaning lady who drowned her children , and is now anathemize to wander the world weep as she search for them .
channelize by Michael Chaves , the movie is set in Los Angeles in the seventies and star Linda Cardellini as Anna , a social worker who accidentally turns her own children into a aim for La Llorona ( Marisol Ramirez ) . The unquiet spirit starts stalking her family with the bearing of claim the tiddler ’s souls , and Anna finally turn to former non-Christian priest Rafael Olvera ( Raymond Cruz ) , who has experience distribute with the supernatural , for assistant .
colligate : How The Curse of La Llorona Connects To The Conjuring Universe
Horror has been enjoying something of a renaissance in late long time , from monumental hits likeITto smaller , critically - acclaimed movies likeHereditaryandSuspiria , and theConjuringmovies have been a major part of this recent upsurge in success . Unfortunately , whileThe Curse of La Lloronamight deliver the goods at attain people befuddle their Zea mays everta in the air , it give way to impress the critics , with a score of just 33 % onRotten Tomatoesas of the prison term of writing . Here are some of the most brutal reviews .
ReelViews :
This example of prepacked horror is so by - the - numbers ( accent on benumbed ) that even the jump - scares do n’t induce much of a leap . When the flick goes “ boo ! ” and the looker tries intemperately to stifle a yawn , something has gone wrong .
prison term Out :
It ’s the opponent of frightening : a sludgy collection of tired jump panic attack , inexpertly get on menses décor – this time we ’re in a too - shiny 1973 Los Angeles – and a continued falling off into generic blahness .
San Antonio Current :
Without using La Llorona to their advantage in the storytelling , [ the screenwriter ] quash her to another generic monster - in - the - closet fibre who relies on wearisome CGI effects and jump scares to force its interview to flinch on command .
pitch :
La Llorona , with her beady yellowed eyes , blood - drained skin , and rot sass and fingernails is well-nigh undistinguishable from the antagonist from Corin Hardy ’s The Nun … Even more predictably , The Curse of La Llorona relies heavy on a near - ceaseless bombardment of startle scares , whine doors and forte , shrieking noises .
New York Post :
Within the first 10 minute of The Curse of La Llorona , the apparition has call in all of our faces , in extreme conclusion - up . This quasi - panic is repeated so often that eventually ' the weeping cleaning woman ' just seems like a annoyed goth .
Arizona Republic :
The film feels so blah is that there ’s so little to seize onto . The fiber are wafer - fragile , so we never wind up invested in their fates . There is no horse sense of apprehensiveness or imminent doomsday ; instead it ’s just one jolt after another . It ’s like get someone jump out at you every five minute of arc , and about as much merriment .
While not everyone was impressed by La Llorona ’s haunting , the motion picture was n’t universally dislike . Even among the negative reviews there was praise for Cruz ’s deadpan performance as Olvera , which is described as one of the highlight of the motion-picture show . Some reviewers also mentioned standout panic , like when La Llorona shows up while one of Anna ’s children is look at a bathtub . Here are some of the more positive reviews ofThe Curse of La Llorona :
The New Yorker :
[ Chaves ] stokes venerate with simple and striking result — rhythm mirror and oval windows that are the portal to apparition who break them to reach out their victims , trances that are dramatized with a chilling spareness , hand - cranked auto windows that open on their own and set their grip turn , average hen ’s orchis that harbor horror . There ’s a brief and cunning sequence postulate the wavering transparentness of Samantha ’s clear - plastic umbrella .
marauder :
La Llorona is fill with nifty panic , as the ghost is seen in darkened auto windows and sheer umbrellas and convex security measures mirrors . Not unlike the original Conjuring , it takes honest-to-goodness - fashioned ghost - story and haunted - menage devices — creaking doors and sleepwalk kid and handily time blackouts — and revitalizes them .
The New York Times :
The scares are plenteous and sometimes ticklishly rummy in The Curse of La Llorona , an enjoyably old - fashioned ghost story … Anna and her children may spend much of the account in near - hell but when a stern priest-doctor ( the excellent Raymond Cruz ) return the phrase “ ta - da , ” he and this pic show you a small number of horror heaven .
More : Read Screen Rant ’s Review of The Curse of La Llorona
