Planet Terror
Alita : Battle Angel , an adaptation of the popular Manga , hits theatre on February 13th . Written by James Cameron , the pic will be one of the biggest projection ever for director Robert Rodriguez . Rodriguez has helmed films full of exceptional effects in the past but mostly worked on pic with smaller budgets for the majority of his life history .
PREVIOUSLY:10 Best Movies To Watch With Your Kids On Family Night
Rodriguez has always been a film director who has put a lot of personality into his picture . They are often crimson , kinetic , and prompt by different music genre , from exploitation films to westerns to scientific discipline fiction . Audiences are eager to see what kind of sensibilities Rodriguez will bring to his latest film , and how much inspiration he will describe from his body of work .
SIN CITY: A DAME TO KILL FOR
One thing that is go to become very obvious in this ranking almost immediately is that Robert Rodriguez does not have a hang for sequels . That is in spades evident in the long - awaitedSin Citysequel , which came nine year after the original and leave a uncollectible taste in everyone ’s mouth .
Sin City : A Dame to wipe out Forwas so critically revile that it almost made citizenry question the quality of the firstSin City . Was that film just as big and nobody remembered ? Either path , A Dame to Kill Forindulged in the worst disposition of both Rodriguez and his conscientious objector - director , Sin Cityauthor Frank Miller .
THE ADVENTURES OF SHARKBOY AND LAVAGIRL
Robert Rodriguez might have had plenty of winner with his series ofSpy Kidsfilms , but when it came to arrive at a new picture show aimed at kids , lightning did not move twice . The Adventures of Sharkboy and Lavagirlcurrently sits at 19 % on Rotten Tomatoes , and for plenty of dear reason .
The movie had none of the character or trend that Rodriguez had bring to his other moving-picture show . It seemed like he had only run out of ideas , and tried to make a newSpy Kidsfranchise , but could n’t quite shoot those notes again . At least Taylor Lautner still got some workplace afterward .
MACHETE KILLS
Once again , a sequel to a Robert Rodriguez movie ends up being nowhere close as unspoilt as its forerunner . Machete Killsat least took the sequel formula of " grownup , unhinged , more " to its coherent conclusion . The film tops the firstMachetein terms of insane natural action and wild putting to death , but the big trouble with that was it just find like more of the same .
Obviously , Danny Trejo is a gem , and the persona of Machete was tailor - made for him . However , his second picnic as the character take place in a moving-picture show that is not nearly as well - constructed in its B - movie lunacy as the first celluloid .
THE SPY KIDS SERIES
TheSpy Kidsmovies fundamentally put Robert Rodriguez on the map as a successful mainstream filmmaker . He had huffy a name for himself with small films antecedently , but it was this bonkers , over - the - top series of films about shaver secret broker that made Rodriguez a household name .
The cinema may have correct in lineament over the age , but there was never a famine of creativity or innovation . Spy Kids 3D : Game Overcame out years before 3D films became a moneymaking gimmick , and Rodriguez utilized it in a mode that influence later films .
DESPERADO
The 2nd chapter of Robert Rodriguez’sEl Mariachitrilogy is belike the weakest , but it is still pack with action and the filmmaker ’s signature stylistic trait . Antonio Banderasstars as the Mariachi in a film that amps up the action of the first motion picture , but also , unfortunately , loses some of the story along the way .
Desperadostill march that Rodriguez was an action filmmaker more than anything else , packed as it was with massive curing pieces . While it was not exactly as capital as its precursor , the series would see a flimsy improvement in the third film of the series .
PLANET TERROR
satellite Terrorwas one half of the collaborative picture projectGrindhousewhich played as a double feature of Rodriguez ’s motion-picture show and Quentin Tarantino’sDeathproof . Along with a survival of the fittest of fake poke ( two of which were the origin ofMacheteandHobo with a Shotgun ) , the two film were created in the panache of 1970s victimisation films .
Planet Terrorfollows the citizens of a small town that is abruptly overrun with septic zombie . Rodriguez truly embraces the strangest parts of his imagination to make the film as wild , violent , and bizarre as possible , up to and including have Rose McGowan ’s type have a machine gun for a stage .
MACHETE
Macheteseemed like a crazy musical theme : an entire moving-picture show spun off from a fake trailer inGrindhouse . However , there was something about the sight of Danny Trejo decked out in all kinds of knives that just really talk to fans . Rodriguez seemed to cognize he had to go bigger , wilder , and more mad with this cinema than he had previously , and he pushed the boundary in almost every way .
Macheteis a lot of playfulness and never takes itself gravely , even for a second . This film keeps its tongue securely in its cheek , filling every frame of reference with as much bonkers action at law , over - the - top performance , and bloody vehemence as it can . There are plenty of movies depict as " live - action cartoons , " but Machete really does have that seem and find .
ONCE UPON A TIME IN MEXICO
The third and final debut in the Mariachi trilogy does n’t hold out up to the original , but it does better onDesperadoa considerable amount . By adding some new case ( like Johnny Depp ’s Sands or Eva Mendes ’s Ajedrez ) , Rodriguez handle to build on the foundation he had already create and jam the film with more action , story , and style .
Even though the longest opening between these films occurred betweenDesperadoandOnce Upon a Time in Mexico , it was clear that Rodriguez still had a stiff connexion to the story and the theatrical role . The movie also successfully reason the dealership , let Antonio Banderas ’s role the opportunity to finish the trilogy with a glad close .
SIN CITY
In 2005 , comic book fans were give the ultimate goody : a film based on a serial publication of graphic novels , that looked exactly like its generator material . Sin Cityis by no stretch a perfect film , but it demonstrated that comic books being made into films did n’t have to be commute entirely so as to find the good interview .
Along with a huge plaster cast , the film featured awful cinematography and strategical burst of colour . The pic was co - directed by Frank Miller , and the panel from the book were used as the storyboards for the film . While its continuation display some of the big things aboutSin Cityand its Almighty , the original made an impression .
FROM DUSK TILL DAWN
Robert Rodriguez and Quentin Tarantino were in the same class of new filmmakers making an printing on Hollywood in the other nineties , and their first collaborationism , From Dusk till Dawn , proved to be a major rage hit . The film pull off the impressive trick of beginning one way and taking a wild left tour at the center .
Quentin Tarantino and George Clooneyplayed two brother who hijack a family ’s RV and drive it south of the border wind up at a Browning automatic rifle where the faculty is actually lamia . The film was the perfect demonstration of the unconventional sensitivity that Rodriguez would bring to his succeeding cinema .
